Palm nuts!

Well, as this evening draws in, I am thinking I am now all done on the preparations for all my art and merchandise that I shall have on display at Nature In Art for the next week. I have only myself to sort out now, clothes etc to be packed and, all being well, I can set off in good time tomorrow morning to set up the studio with Frances ready for visitors from Tuesday.

There has been much to do and for a while I just never thought I'd get to the end of the ever growing list. Suffice to say it's has been a bit full on and hectic these last few weeks getting everything up together. But glad to say I think I can now breathe easy... of course there is that nagging doubt that things can't possibly be all done... surely I have forgotten something! I'm never this well organised to be ready at this point!

It can all but drive you nuts....

... which leads me to the painting of palm nut trees at sunset.


This little painting (roughly 8" x 7") on canvas board is of my favourite trees in the Okavango Delta. They have such a beautiful shape and feel to them, so I couldn't resist doing this little piece of them in silhouette. I managed to get it done in between endless computer work, printing, cutting, packing and putting a powerpoint presentation together.

The composition is made up from a number of my photos taken during my stay there in March. The sky from one and the trees are picked out from various photos of landscapes and animals and placed together into this composition.

I shall have this one with me at Nature In Art and like the lioness and ellie, I shall be interested to see how well they are received.

The presentation is a series of slides and a little talk that I shall be showing/giving to the Wallworth Art Group on Wednesday evening about reference gathering and useage. Looking forward to that and hope it'll be of interest to them.

Getting ready for Artist in Residence Week

18th – 23rd October

Wallsworth Hall - Home of the Nature In Art Museum and Art Gallery

Once again the year swings round to a week I really look forward to – being an Artist in Residence at Nature In Art in Gloucester. This Museum and Art Gallery has a programme of different artists spending 6 days working in their studio (Tuesday – Sunday every week from Feb to Nov) where visitors can watch and talk to them as they work in their respective mediums.

In the past I have spent many an informative and learning hour getting tips from the artists who have been working there and also being, for the past 11 years, on the other side of the easel too. For most of those 11 years I have been there with my very good friend and fellow artist Julie Askew, but as she now resides overseas, I shall once again share the studio with another friend and fellow artist, Frances Whitman.

Myself with Frances and Linda Heaton-Harris - 2010 Nature in Art

Frances works with coloured pencils and produces exquisite animal portraits, her love of the big cats in particular feature strongly in her work.

I shall be working on paintings for an exhibition I shall hope to be doing in a few years time to raise funds for the Elephants For Africa Trust. After my visit to their camp in the Okavango Delta - Botswana, where their research work is currently based, earlier this year I shall be concentrating on producing work for that – mostly in oils. I also plan to have a selection of merchandise that feature some of my paintings such as cards, mugs, calendars etc.

The Museum has a lovely little café that serves teas and cakes, as well as lunches. Please click here for visitor information. If you can pop along to visit whilst we are there we would love to see you. If not, I would recommend a visit when you can anyway, as it is lovely house with a collection of work dedicated to art inspired by nature not just paintings but ceramics, furniture, sculptures, carvings and all manner of other treasures.

Asiatic lioness oil studio sketch

8"x10" (20cmx25cm)


Another “go” at painting loosely; for the fun of it and as an experiment to see if they are liked and sellable. I need more practise to feel totally comfortable with this style, but it’s a great thing to do… to play.



The subject is Moti.. a lioness we used to have at the zoo until a couple of years ago when she died, an old girl, sadly from cancer. She produced some lovely cubs in her time with the splendid male Chandra (who was her companion for many years) to continue her line and she was a gorgeous lioness.

This painting was fun to do and it was hard for me to resist going into more detail, but I had set myself a time limit of 4 hours and stuck to it to see what I could produce.

As with the elephant piece I did before along these lines I have used oil paints with liquin as a medium to thin the paint and speed up drying times. This was from a photograph I had taken of Moti many years ago, but I used another photo I had taken of Chandra for the lighting colour range. I decided on the warm purple and browny oranges for the background to deepen the warmth of light on the animal and because the colours are easily crossed over between the two - tying them together.



Another thing I am doing that is different to my “norm”, is sketching the animal out in paint straight onto the canvas. In my more detailed paintings I spend a lot of time planning the piece - sketching and drawing the animal on a separate piece of paper to get my proportions right and to think about and decide on the positioning before I start the piece. So it is quite fun and challenging to start in a completely different way.

I will do more, as I’d like to improve and get more confident in the “less is more” approach. I know by many standards these aren’t hugely loose but for me it is quite a step to make and it’s fun playing and painting in a way different to what I really like to do.. and that is paint in a much more detailed way. I see no reason why I can’t do both :~)

Elephant bull oil studio sketch

10”x14” (25cmx35.5cm)

Yeehaa! My first pachyderm painting from my trip to Botswana!


This painting serves a few purposes…

Firstly - I wanted to try out something in readiness for a bigger painting I have planned of three bulls crossing a waterway. So this was an experiment for colours and lighting as well as the stance of one of the bulls. This is not something I usually do as normally I have a very clear idea of the painting before I start. However in this case I couldn’t make my mind up… on the day I saw the inspiration for this painting it was overcast and rainy – the light was quite flat, yet this threw up some beautifully soft colour ranges and I really like that idea for my palette on this piece. But I wonder… would it look better if the lighting was a little brighter for the final painting – chuck some sunlight in to lift the image? Deepen the shadows create some more drama? So I plan do another trial piece the same as this only brightly lit with sunlight … so I can compare the two.

Secondly – it was fun to paint more loosely than I normally do for a change… something I have been thinking of playing with for a while, but never had the excuse or time. I am not going to change my style from what it is now, but it would be good to do some looser pieces as well at times.



Thirdly - purely from a turnover point of view, these little loose pieces are obviously quicker to do and from a size perspective may be easier to sell. Something I have to think about in these tricky financial times. So if they prove likeable to the buying public it may be another way forward. So I am hoping to do one or two more to show during my Artist in Residence week at Nature in Art later this month to gauge the reaction and see if this is something worthwhile pursuing.

The style of not completely covering the canvas I have seen done many times before by other artists and I have always liked that approach... so it was another reason to add to my "try out" list.

I have in my mind's eye a painting I'd like to do someday, when I feel confident enough with this style - a large canvas with an elephant painted loosely and not completely with a little colour around it's body in places to give it some background. whether or not I shall ever do it remains to be seen.. it may stay in the back of my head, along with all the other "one day" wish paintings I have stored there.

Wow!Gorilla Auction - Sept 29th

On one of the hottest days and evenings of the year in Bristol, 550 people packed the Victoria Rooms in Clifton. Volunteers lined the walls, armed with mobile phones to take outside bids, and not a seat was left unfilled in the “stalls’ and “balcony” with eager bidders, anxious artists and curious onlookers. On a stage two gorillas, each on a revolving plinth, spun slowly in a slow continuous turn; bathed in spotlights and admiration. Music filled the room and mixed with the charged atmosphere of the evening.

After the speeches, the bidding began …. it was estimated that each gorilla would fetch probably £1000 or even £1,500 so we were ready for a great evening with a good amount of money expected to be raised for the gorilla conservation projects supported Bristol Zoo Gardens and The Wallace and Gromit Appeal raising funds for a new echocardiagraph ( think that’s how it is spelt) machine for the dedicated Children’s Hospital here in Bristol.

The auctioneer was brilliant and took the auction down a great fun path encouraging and cajoling the bidders to keep on bidding against each other. He was superb! Each gorilla was brought out, covered in a black cloth, and placed on one of the revolving plinths either side of the auctioneer. They were each unveiled in turn to a fanfare of music, sometimes chosen to fit the character of the gorilla, as the spotlights were trained on them. A couple, Dee Dee was included in this, had a choir come out and sing a song after they were unveiled and prior to the bidding on them.. The Elvis gorilla had a singer come out and do a great medley of Elvis songs. Dee Dee was the first to have this done prior to her bidding and she had the song Autumn Leaves sung for her… I have to admit that made me quite emotional!

Dee Dee at Bristol Zoo Gardens prior to the auction

The prices for the gorillas started off at over twice the highest estimate and got higher as the bidders warmed up and the gorillas got fewer! The bidding never went below £3,000! Dee Dee was 13th (not unlucky this time) to be auctioned and raised a great sum of £7,500!!!! I was so chuffed and proud that she got so much. Even more so, when I found out (after the auction) that her new owner was Sharron Davies the retired Olympic swimmer. How cool is that! Many of the gorillas reached bids of £5,000-£6,000 but 24 of them reached £7,000 and over. Every time the bidding reached £10,000 a great cheer went up around the room- five gorillas reached that mark (Elvis, 24 Carat Camo, Jama, Blackbeard Silverback and Spider Monkey); Two gorillas went on above that to even more cheers - £12,000 (Still Life: Alfred) and the top bid of £23,000 went to Gorisambard. Outstanding! By the time the bidding was over ALL the gorillas had new homes and the total raised was a whooping £427,300.

Best of all is that ALL of that money goes to gorilla conservation and the Children’s Hospital*… the zoo had arranged for there to be no VAT and the Auction House waived their fee… much needed money to benefit two great causes. *The exception to that is the money raised for the gorilla Custard goes to the BBC Children in Need Appeal.

What better way to end to this marvellous project called WOW!Gorillas, created celebrate the zoo’s 175th Anniversary. After the auction, I spoke to a few of the zoo staff who were working that night helping with the running of the event and they all looked ecstatic and shell-shocked. It’s safe to say the amount raised and the way these gorillas have been taken into people’s hearts has completely surpassed any expectation of what would happen. To have been a small part of that makes me feel incredibly privileged and humbled. I’m so glad I got to paint one of these gorillas and that they all sold so very well indeed. Bravo to all the bidders, I’m astounded by such generosity in these hard times.

Sketching lions - 21 Sept

When work load allows, once every two weeks, I get to spend a free morning sketching - kinda like my "in-house" training. Recently I got back out in the zoo to sketch some animals. Which as the zoo's illustrator you might not think that was particularly special. However during the busy summer season it's quite impossible to sit in front of an animal enclosure to sketch without either getting in the way of the public or being jostled by the throngs. So during the summer I went out to the Hollywood Towers Estate, which the zoo owns. to sketch landscapes and buildings. Now that the colder weather is here and the crowds have gone, as the schools are in session again, I am back in the zoo for my sketching.

Having spent a wonderful half hour one evening the week before, after the zoo had closed, watching Shiva (Mum) play with the two cubs (Jay and Kaly) I decided the lions would be my first point of call. The two youngsters (they are a bit bigger than cubs now at 9 months old) were lying on one of the high-rise platforms for a bit of warm sunshine snoozing, with Shiva. Kamal was restless as he was due for a feed that day and so he wandered around quite a bit, getting impatient - calling and pacing.

Jay, the young male, was at the front of the platform and in view - sort of. I had to position myself so that I could get an unobstructed view through the trees and bushes to the platform that was right at the back of the enclosure. As I had neglected to bring my binoculars, I had to really concentrate to see his lines and form across the distance.



So, rather than work anything up and to get my hand and eye working together, I just did little thumbnails of him, as a warm up.

Kamal finally settled and good old lad that he is, he plonked himself down right in front of me. It might have helped that I was luckily at a place that was a good spot for him to keep an eye out for his keeper and most importantly - his food.

So as he had settled down, I did too and concentrated on two head positions - switching between the two sketches as he moved his head about - one looking for the keeper/food and the other resigned head on paws, eyes closed.


The third sketch was a very quick one (about one minute) done just prior to the keeper turning up where Kamal had relaxed a enough in his vigilance to lie on his side and attempt a snooze. Like they say.. a watched kettle never boils... but as soon as you turn your back. So it was with Kamal... as soon as he got settled to snooze - the keeper turned up!

Gloucester Arts and Crafts Summer School 2011

Back at the end of July I tutored a week-long batik course at the Gloucester Arts and Crafts Summer School. This wonderful event takes place at around the same time every year and offers about 30 courses of various crafts and arts from 1 – 5 days in length.



This year I had 6 students attend my batik course -four of whom had been before and two who were new to my class. I was to have 7 students but unfortunately one lady, Joan, fell ill just prior to the week of the course so we were sad not to see her in class again (Joan went to one of my previous batik courses).

I welcomed back Jenny, Del, Hazel and Gill… four lovely cheery ladies who always make the week fly by with their enthusiasm, creativeness and happy banter. Marion and Rita were new to my class and perfectly fitted in with the enthusiasm and fun. What a great week it was…. Lots of work and lots of fun.

I started off the week introducing Marion and Rita to the equipment and technique I use. Rita having done batik before but with a different technique had the challenge of relearning a new way to her. She tackled the challenge head on and with a great attitude. It is always difficult to do such a thing, but Rita persevered and I could see it was starting to make sense to her towards the end of the week. This piece is I think still is her best, despite, sadly, the crackling at the end going a bit dark and somewhat obscuring the main image of the man and camels. I hope she has a go at this one again.


Marion was new to batik, so had the challenge of learning a medium that is like chess….. you have to think several steps ahead and have a plan of attack. This piece of hers has been done with a purpose in mind. It’ll be made into a pennant that will go to the Olympic Games in London. Marion, once she got her head around the technique, got very enthused… so much so that she has since bought the equipment for herself and is cracking on with exploring the fun of batik, at home.

Jenny, Del, Hazel and Gill having all been before or having done batik at home were confident enough to go straight into doing their own designs.

Gill returned to the class having been new to batik last year and also ended up buying the equipment to do it at home after the course. I was very pleased that she brought in a couple of her pieces to show us. She has been doing very well, despite her own misgiving, and has a lovely colour sense.
Gill tends to like to start and finish her pieces fairly quickly, the fact that she took time and was patient working on the head of the iris has one paid off. It's a lovely piece with good colour balances and tones achieved in the background.


Hazel was with us for three of the five days, but that didn’t hold her back on producing a good handful of batiks. Having been to my class for four years now and also attending other batik workshops, she has grasped batik fully and produces wonderful work. I particularly loved her sunflower cushion cover this year – such a beautifully executed piece of work.… it makes me feel happy just looking at it.



Del and Jenny also have been before for the last four years and again, they are both very productive and creative. Jenny loves to challenge herself and always amazes me with what she accomplishes. She too has a great eye for colour and I was very happy to hear that she has sold a number of the batiks she has previously produced. I chose her Spanish dancer because the effects she achieved on the lace underskirts and the shawl fringes were just amazing. You can feel the swirling of the dress and shawl fringes flying around her. The background is subtly mimicking the dancer too which adds unity and heightens the action of the piece.



Del is the first to admit she doesn’t have a huge amount of patience, so I was particularly proud of her that she carefully and slowly applied wax on one of her batiks (some flowerheads) to get it right. The result was superb and I hope she was as pleased with the result as I was. However, I chose her pebble design over the flowerheads because I particularly love the colours, textures and feel of this one. I love the wet effect on and between the pebbles - perfect.


Several Christmas cards designs were also done, and as much as I’d love to show you them as well, I don’t think it would be fair to do so as they may want to keep the designs under wraps til Christmas.

Once again the class produced a wonderful array of finished pieces– they never cease to amaze me with their productivity and creative output. It was, again, hard to pick one from each of them, but I hope they will be happy with my choices. They say the will be back again next year..... If they are, I look forward to seeing what they do then! It gets better every year!